Anne Tyler's Baltimore is different from the sharp edges of David Simon's. It is predominantly White, predominantly middle class, predominantly suburban but her characters are not unscathed by life. Life is fragile and fleeting and her characters employ different methods to deal with this.
In Saint Maybe, the principal character Ian has to deal with the suicide of his older brother Danny that results directly from Ian's revelations about Danny's wife. The picture perfect life of the Bedlow family is not as perfect on the inside.
"On Waverly Street, everybody knew everybody else. It was only one short block, after all-a narrow strip of patched and repatched pavement, bracketed between a high stone cemetery wall at one end and the commercial clutter of Govans Road at the other. The trees were elderly maples with lumpy, bulbous trunks. The squat clapboard houses seemed mostly front porch.
And each house had its own particular role to play. Number Nine, for instance, was foreign. A constantly shifting assortment of Middle Eastern graduate students came and went, attending Johns Hopkins, and the scent of exotic spices drifted from their kitchen every evening at suppertime. Number Six was referred to as the newlyweds', although the Crains had been married two years now and were beginning to look a bit worn around the edges. And Number Eight was the Bedloe family. They were never just the Bedloes, but the Bedloe family, Waverly Street's version of the ideal, apple-pie household: two amiable parents, three good-looking children, a dog, a cat, a scattering of goldfish."